Angelo Badalamenti Fire Walk With Me

Read about Theme from Twin Peaks: Fire Walk With Me by Angelo Badalamenti and see the artwork, lyrics and similar artists. Read about Theme from Twin Peaks: Fire Walk With Me by Angelo Badalamenti and see the artwork, lyrics and similar artists. Playing via Spotify Playing via YouTube.

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Twin Peaks: Fire Walk With Me - Original Motion Picture Soundtrack 2XLP

From the brooding opening bars of the main Fire Walk With Me Theme, Angelo Badalamenti’s gorgeous, eerie score introduces us to a cinematic experience which significantly begins with the smashing of a television screen. Just as the Main Title from Blue Velvet echoed the Hitchcockian hues of Bernard Herrmann, so here we have just the slightest touch of Taxi Driver, as Jim Hynes’ plaintive, keening trumpet soars above a landscape of melancholy keyboards, drawing us into a world which is at once alien and familiar.

• Composer approved audio

• Sleeve notes By film critic Mark Kermode (approved by David Lynch and Angelo Badalamenti)

• Vinyl re-master by Tal Miller at Warner Archives

• 2 x 180G Cherry Pie vinyl

Fire Walk With Me Movie

• 425gsm Gatefold sleeve housed inside a bespoke black die cut outer jacket with black spot varnish finish, complete with obi strip.

Angelo Badalamenti Fire Walk With Me Youtube

Expected to ship in 7-10 business days.

Layout & Design By:Jay Shaw

Side A
01. Theme From Twin Peaks - Fire Walk With Me (6:40)
02. The Pine Float (3:58)
03. Sycamore Trees (3:52)
Side B
04. Don't Do Anything (I Wouldn't Do) (7:17)
05. A Real Indication (5:31)
Side C
06. Questions In A World Of Blue (4:50)
07. The Pink Room (4:02)
08. The Black Dog Runs At Night (1:45)
09. Best Friends (2:12)
Side D
10. Moving Through Time (6:41)
11. Montage From Twin Peaks -
Girl Talk / Birds In Hell /
Laura Palmer's Theme / Falling (5:27)
12. The Voice Of Love (3:55)

Ships in 7-10 business days.

Angelo Badalamenti’s soundtrack for David Lynch’s 1992 “Twin Peaks” film Fire Walk With Me remains as enchanting and evocative as ever, and gets a long overdue vinyl reissue courtesy of Death Waltz.

Despite a career that stretches back a half-century, Angelo Badalamenti’s arrangements for the likes of Nina Simone and Shirley Bassey as well as his soundtracks for A Nightmare on Elm Street 3: Dream Warriors, Dominion: Prequel to the Exorcist, and National Lampoon’s Christmas Vacation never quite haunted the collective memory. (That is to say nothing of his forgotten turn at bouncy country music.) Instead, it was when he was brought in to coach Isabella Rossellini’s vocals on the set of 1986’s Blue Velvet that his profound collaboration with David Lynch began. Since then, Badalamenti’s distinctive blend of smoky jazz, ’50s pop, and three a.m. noir has seeped into pop culture. It’s easy to hear the hushed dark of his influence on an array of players, be they Nick Cave, the xx, Morphine, or Bohren & Der Club of Gore.

In providing themes that toggled between darkness and light on “Twin Peaks,” Badalamenti’s music slid into American prime time to lingering effect. But Lynch’s feature-length prequel box-office boondoggle Twin Peaks: Fire Walk With Me (25 years on, the Metacritic score holds at 28) clouded over the composer’s work for that film. Candy cn 65 at manual. And while none of the themes are as instantaneously familiar as anything from the series, Badalamenti’s soundtrack remains as enchanting and evocative as ever, presented here in a long overdue vinyl reissue courtesy of the soundtrack fetishists at Death Waltz.

Badalamenti handles all the production, arrangements, and orchestrations; he plays keyboards, even contributing some gruff vocals to the set. Tucked into its 12 tracks are a curious array of players, from bassist Ron Carter and hard bop drummer Grady Tate to the voice most often associated with the man’s music, Julee Cruise. The nearly seven-minute main theme might not readily pair to images of Agent Cooper or Laura Palmer, but it’s brooding and melancholic in its own right. Badalamenti’s keyboard chords haunt in the distance as a muted trumpet lead, walking bassline, and barely grazed ride cymbal conjure dark and lonesome images of their own. For a solo turn at the synthesizer, Badalamenti moves through a spectrum of sadness, distress, love, and resolve on closer “The Voice of Love.”

Angelo Badalamenti Albums

An allergy towards all things Tom Waits-esque, and the jarring clang of “A Real Indication”—featuring growled lines from Badalamenti himself—are the only real disruptions to the otherwise crepuscular ambience of the album. “The Pink Room” serves up noir-ish instrumental rock, not unlike Chris Isaacs’ “Wicked Game” by way of early Bad Seeds. https://bvgsfl.weebly.com/blog/kodi-spotify-app. The composer himself returns to the microphone to lay down a murmur on the skin-crawling two minutes of “The Black Dog Runs at Night,” but the guest vocals are more effective. The legendary Jimmy Scott appears on the slow-moving piano ballad “Sycamore Trees”; the baritone sax and Mr. Scott’s astonishing countertenor twine in the darkness like two cigarettes left smoldering in an ashtray. And the gravity-free bliss that is Cruise’s voice returns to drift like a lone cloud across the hymn-like “Questions in a World of Blue.”

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The gorgeous “Don’t Do Anything (I Wouldn’t Do)” evokes early ’60s Blue Note sessions, a gentle meld of piano trio and the hovering vibraphone lines of Jay Hoggard. On “Moving Through Time,” Hoggard’s languid lines mix with Badalamenti’s piano, Tate’s brushed drums, and the expressive bowed bass of Rufus Reid to easily make for the most stunning seven minutes of the soundtrack. Older spotify version download. Beyond being a revered soundtrack composer, Badalamenti is equally adept at just blending into the group as a player.

Angelo Badalamenti Laurens Walking

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